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supported by 4 fans who also own “La misere des miserables”
Spanish Post-Hardcore/Metal Band started off in a more Post-Rock vein way back when. Although their musicianship has continued to blossom on further releases; so has their screaming vocals in songs. I consider them more closer to Post Hardcore rather than Post Rock in their current releases. This release has the least amount of screaming and the most Post-Rock feel for me.
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supported by 4 fans who also own “La misere des miserables”
Not very often one happens to stumble with a genuine piece of art, a pure piece of heart, a poem bled from the depths of the human soul. In "Candela" that's precisely what you will find, musicians torn from inside-out by the claws of life and put back together by the burning flares of hope. ¡Magnifico!
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supported by 4 fans who also own “La misere des miserables”
it's heaven for my ears... perfect balances of serene melodies and harsh vocals, the tracks all blend together in beautiful ways, making such a great album.
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Classic emo sing-a-longs trade blows with tormented post-hardcore passages on the Brooklyn outfit's powerful sophomore LP.
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Dissonant punk rock with an undercurrent of jubilance that puts noise and dynamics up front.
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Kansas City trio Flooding draw out the more mystical qualities of slowcore and noise rock for a heavy sound that's less stony than doom.
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Beyond foams
by Sugartown Cabaret
supported by 4 fans who also own “La misere des miserables”
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