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supported by 4 fans who also own “Interlude”
Spanish Post-Hardcore/Metal Band started off in a more Post-Rock vein way back when. Although their musicianship has continued to blossom on further releases; so has their screaming vocals in songs. I consider them more closer to Post Hardcore rather than Post Rock in their current releases. This release has the least amount of screaming and the most Post-Rock feel for me.
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supported by 4 fans who also own “Interlude”
Not very often one happens to stumble with a genuine piece of art, a pure piece of heart, a poem bled from the depths of the human soul. In "Candela" that's precisely what you will find, musicians torn from inside-out by the claws of life and put back together by the burning flares of hope. ¡Magnifico!
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supported by 4 fans who also own “Interlude”
it's heaven for my ears... perfect balances of serene melodies and harsh vocals, the tracks all blend together in beautiful ways, making such a great album.
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Classic emo sing-a-longs trade blows with tormented post-hardcore passages on the Brooklyn outfit's powerful sophomore LP.
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Dissonant punk rock with an undercurrent of jubilance that puts noise and dynamics up front.
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Kansas City trio Flooding draw out the more mystical qualities of slowcore and noise rock for a heavy sound that's less stony than doom.
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Beyond foams
by Sugartown Cabaret
supported by 4 fans who also own “Interlude”
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